Abstract
When shaping the body of time in music, we have to think about what material we want to distribute over time. Time as such has no sensual quality: You don’t see, smell, hear, touch it. We need to think about what is being dealt with in time.
Original language | English (US) |
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Title of host publication | Computational Music Science |
Publisher | Springer Nature |
Pages | 37-46 |
Number of pages | 10 |
DOIs | |
State | Published - 2011 |
Publication series
Name | Computational Music Science |
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ISSN (Print) | 1868-0305 |
ISSN (Electronic) | 1868-0313 |
Bibliographical note
Publisher Copyright:© 2011, Springer-Verlag Berlin Heidelberg.
Keywords
- Absolute Pitch
- Female Voice
- Interval Relation
- Music Theorist
- Opened Wall