When shaping the body of time in music, we have to think about what material we want to distribute over time. Time as such has no sensual quality: You don’t see, smell, hear, touch it. We need to think about what is being dealt with in time.
|Original language||English (US)|
|Title of host publication||Computational Music Science|
|Number of pages||10|
|State||Published - 2011|
|Name||Computational Music Science|
Bibliographical notePublisher Copyright:
© 2011, Springer-Verlag Berlin Heidelberg.
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