The Independent Cinema of Jia Zhangke: From Postsocialist Realism to a Transnational Aesthetic

Keyphrases

• Transnational 100%
• Post-socialist 100%
• Filmmakers 100%
• Jia Zhangke 100%
• Independent Cinema 100%
• China 66%
• Film Industry 66%
• Economic Transformation 33%
• Interpreter 33%
• Urbanization 33%
• Berries 33%
• Cinema 33%
• Migrants 33%
• Sexuality 33%
• Financial Constraints 33%
• Focus of Attention 33%
• Mainland China 33%
• Social Conditions 33%
• Cultural Phenomenon 33%
• Prostitutes 33%
• Thieves 33%
• Non-professional 33%
• Bohemians 33%
• Yuan 33%
• Tiananmen Square 33%
• McGrath 33%
• Historical Conditions 33%
• Ideological Constraint 33%
• Contemporary China 33%
• Taxi Drivers 33%
• Gender Representation 33%
• Creative Engagement 33%
• Chinese Society 33%
• Jason 33%
• New Cinema 33%
• Postal Workers 33%
• Mainstream Cinema 33%
• Suzhou Creek 33%
• City Dwellers 33%
• International Film 33%
• Yomi 33%
• Aesthetic Innovation 33%
• Alternative Cinema 33%
• Social Transformation 33%
• State-owned Companies 33%
• Ambivalent Relationships 33%
• Zhen 33%

Arts and Humanities

• China 100%
• Independent 100%
• Transnational 100%
• filmmaker 100%
• Jia Zhangke 100%
• Engagement 33%
• Documentary 33%
• 1990s 33%
• Rubrics 33%
• Vanguard 33%
• Bohemians 33%
• thief 33%
• Social transformation 33%
• Suzhou 33%
• New Cinema 33%
• Tiananmen Square 33%
• Cultural Phenomenon 33%
• Mainland China 33%
• Film Industry 33%

Social Sciences

• China 100%
• Chinese 33%
• Mainland China 33%
• Urban Population 33%