The Escher Theorem

Guerino Mazzola; Joomi Park; Florian Thalmann

doi:10.1007/978-3-642-24517-6_24

The Escher Theorem

Guerino Mazzola, Joomi Park, Florian Thalmann

Music (Twin Cities)

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

The Escher Theorem was first proved and discussed in the context of mathematical gesture theory (Mazzola and Andreatta, 2007; Mazzola, 2009). We shall review the theorem here as a case study relating to explicit strategies for creativity. This theorem was first applied to describe creative strategies in free jazz, see (Mazzola and Cherlin, 2009).

Original language	English (US)
Title of host publication	Computational Music Science
Publisher	Springer Nature
Pages	267-278
Number of pages	12
DOIs	https://doi.org/10.1007/978-3-642-24517-6_24
State	Published - 2011

Publication series

Name	Computational Music Science
ISSN (Print)	1868-0305
ISSN (Electronic)	1868-0313

Bibliographical note

Publisher Copyright:
© 2011, Springer-Verlag Berlin Heidelberg.

Keywords

Creative Strategy
Critical Concept
Directed Graph
Pitch Class
Topological Space

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10.1007/978-3-642-24517-6_24

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KW - Critical Concept

KW - Directed Graph

KW - Pitch Class

KW - Topological Space

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The Escher Theorem

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