The Case of Counterpoint and Harmony

Guerino Mazzola

doi:10.1007/978-3-319-64444-8_24

The Case of Counterpoint and Harmony

Guerino Mazzola

Music (Twin Cities)

Research output: Chapter in Book/Report/Conference proceeding › Chapter

1 Scopus citations

Abstract

This final chapter on string quartet theory deals with the analytical conditions on global compositions which are powerful enough to comprehend the structural richness of central European music in the epoch of Boccherini and Haydn. These structures are — essentially— counterpoint and harmony. As a germ for a systematic theory of instrumentation we propose an estimation of maximal necessary chart dimension for Fuxian counterpoint and traditional harmony (including cadence and modulation).

Original language	English (US)
Title of host publication	Computational Music Science
Publisher	Springer Nature
Pages	839-840
Number of pages	2
DOIs	https://doi.org/10.1007/978-3-319-64444-8_24
State	Published - 2017

Publication series

Name	Computational Music Science
ISSN (Print)	1868-0305
ISSN (Electronic)	1868-0313

Bibliographical note

Publisher Copyright:
© 2017, Springer International Publishing AG, part of Springer Nature.

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10.1007/978-3-319-64444-8_24

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The Case of Counterpoint and Harmony

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