The BigBang Rubette

Guerino Mazzola; Yan Pang; William Heinze; Kyriaki Gkoudina; Gian Afrisando Pujakusuma; Jacob Grunklee; Zilu Chen; Tianxue Hu; Yiqing Ma

doi:10.1007/978-3-030-00982-3_17

The BigBang Rubette

Guerino Mazzola, Yan Pang, William Heinze, Kyriaki Gkoudina, Gian Afrisando Pujakusuma, Jacob Grunklee, Zilu Chen, Tianxue Hu, Yiqing Ma

Music (Twin Cities)

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

The BigBang rubette is a gestural music visualization and composition tool that was developed with the goal of reducing the distances between the user, the mathematical framework, and the musical result. In its early stages, described for instance in [51, 52], it enabled the definition, manipulation, and transformation of Score denotators using an intuitive visual and gestural interface. Later, it was generalized for transformation-theoretical paradigms based on the ontological dimension of embodiment, consisting of facts, processes, and gestures, and the communication between these levels [53].

Original language	English (US)
Title of host publication	Computational Music Science
Publisher	Springer Nature
Pages	143-144
Number of pages	2
DOIs	https://doi.org/10.1007/978-3-030-00982-3_17
State	Published - 2018

Publication series

Name	Computational Music Science
ISSN (Print)	1868-0305
ISSN (Electronic)	1868-0313

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© 2018, Springer Nature Switzerland AG.

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10.1007/978-3-030-00982-3_17

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AU - Mazzola, Guerino

AU - Pang, Yan

AU - Heinze, William

AU - Gkoudina, Kyriaki

AU - Pujakusuma, Gian Afrisando

AU - Grunklee, Jacob

AU - Chen, Zilu

AU - Hu, Tianxue

AU - Ma, Yiqing

PY - 2018

Y1 - 2018

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The BigBang Rubette

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