Abstract
The stemma theory is introduced from its musicological and practical motivation. Semiotically speaking, performance is a result of a diachronic process. This is traced on the structure of a genealogical tree, the stemma of a performance. The stemma formalizes the diachronic process of rehearsal and practising. We describe the structure of stemmata as “family trees of performance”, together with the corresponding genetic and environmental principles.
| Original language | English (US) |
|---|---|
| Title of host publication | Computational Music Science |
| Publisher | Springer Nature |
| Pages | 621-635 |
| Number of pages | 15 |
| DOIs | |
| State | Published - 2017 |
Publication series
| Name | Computational Music Science |
|---|---|
| ISSN (Print) | 1868-0305 |
| ISSN (Electronic) | 1868-0313 |
Bibliographical note
Publisher Copyright:© 2017, Springer International Publishing AG, part of Springer Nature.