Abstract
This chapter deals with a special type of experiment in performance theory, since experiments are necessary to test the relevance of a theoretical approach to real performance. How can we know that such an approach is explaining what we are experiencing in performance? The question is quite hard, because it is dificult in music to distinguish the creative subjective aspect from the scientific objective one.
Original language | English (US) |
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Title of host publication | Computational Music Science |
Publisher | Springer Nature |
Pages | 217-223 |
Number of pages | 7 |
DOIs | |
State | Published - 2011 |
Publication series
Name | Computational Music Science |
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ISSN (Print) | 1868-0305 |
ISSN (Electronic) | 1868-0313 |
Bibliographical note
Publisher Copyright:© 2011, Springer-Verlag Berlin Heidelberg.
Keywords
- Analytical Vector
- Beran Operator
- Hierarchical Decomposition
- Musical Performance
- Synthetic Performance