Abstract
Despite modernist precepts, digital projects that use crowdsourcing to annotate large collections of images of paintings and book illustrations with "tags"have encouraged viewers to see things in pictures and to say what they see. Both personal image tagging (ekphrastic in function) and automatic image tagging challenge in different ways the proposition that a painting as such will elide recognizable content.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 82-109 |
| Number of pages | 28 |
| Journal | Representations |
| Volume | 155 |
| Issue number | 1 |
| DOIs | |
| State | Published - Aug 1 2021 |
Bibliographical note
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