This article proposes that Blai Bonet's representation of illness and violence in his debut novel El mar identifies the sacred as a primary existential component of being-with-others. Bonet's attention to the sacred relates literary representation with theological and philosophical inquiry, particularly that of the French College of Sociology and the mid-century work of one of its founding members, Georges Bataille, who similarly theorized the importance of the sacred in the construction of community. For Bonet, poetics merges abstract existentialist contemplations of the sacred with the practice of everyday life, and especially with the historical moment of El mar's writing, which he referred to as a moment of "esfondrament total". The article studies three clear affinities between Bonet and Bataille's interpretations of two related dyads: the sacred and the profane, on the one hand, and taboo and transgression, on the other.
|Original language||English (US)|
|Number of pages||19|
|State||Published - 2020|
Bibliographical notePublisher Copyright:
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- Blai Bonet
- Georges Bataille