Abstract
Serious film study often takes the form of theory. Is there any reason why this should be so? I want to approach this question by examining some of the contingencies of film theory, especially its attempted alignment with science.
| Original language | English (US) |
|---|---|
| Title of host publication | Philosophy and Film |
| Editors | C. Freeland, T. Wartenberh |
| Place of Publication | Milton Park, Abingdon, Oxon |
| Publisher | Routledge |
| Chapter | 2 |
| Pages | 33-48 |
| Number of pages | 16 |
| ISBN (Electronic) | 9781134714148 |
| ISBN (Print) | 9780415909211 |
| State | Published - 1995 |
Keywords
- Film theory
- Philosophy and film
- Philosophy and science