Provocations and Justifications of Film

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

Serious film study often takes the form of theory. Is there any reason why this should be so? I want to approach this question by examining some of the contingencies of film theory, especially its attempted alignment with science.
Original languageEnglish (US)
Title of host publicationPhilosophy and Film
EditorsC. Freeland, T. Wartenberh
Place of PublicationMilton Park, Abingdon, Oxon
PublisherRoutledge
Chapter2
Pages33-48
Number of pages16
ISBN (Electronic)9781134714148
ISBN (Print)9780415909211
StatePublished - 1995

Fingerprint

Justification
Film Theory
Alignment
Contingency
Film Studies

Keywords

  • Film theory
  • Philosophy and film
  • Philosophy and science

Cite this

Hanson, K. (1995). Provocations and Justifications of Film. In C. Freeland, & T. Wartenberh (Eds.), Philosophy and Film (pp. 33-48). Milton Park, Abingdon, Oxon: Routledge.

Provocations and Justifications of Film. / Hanson, Karen.

Philosophy and Film. ed. / C. Freeland; T. Wartenberh. Milton Park, Abingdon, Oxon : Routledge, 1995. p. 33-48.

Research output: Chapter in Book/Report/Conference proceedingChapter

Hanson, K 1995, Provocations and Justifications of Film. in C Freeland & T Wartenberh (eds), Philosophy and Film. Routledge, Milton Park, Abingdon, Oxon, pp. 33-48.
Hanson K. Provocations and Justifications of Film. In Freeland C, Wartenberh T, editors, Philosophy and Film. Milton Park, Abingdon, Oxon: Routledge. 1995. p. 33-48
Hanson, Karen. / Provocations and Justifications of Film. Philosophy and Film. editor / C. Freeland ; T. Wartenberh. Milton Park, Abingdon, Oxon : Routledge, 1995. pp. 33-48
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