Physical Reality

Guerino Mazzola; Maria Mannone; Yan Pang; Margaret O’Brien; Nathan T Torunsky

doi:10.1007/978-3-319-47334-5_3

Physical Reality

Guerino Mazzola, Maria Mannone, Yan Pang, Margaret O’Brien, Nathan T Torunsky

Music (Twin Cities)

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

To begin our discussion of the realities of music, we start with the most basic: the physical reality. It consists of the features of the world that we see in action every day. This includes the variety of ways in which music occurs and can be described, such as through sound waves, instruments, and human motion. There are different ways in which we can create and analyze music. We discuss Fourier analysis, frequency modulation, wavelets, and physical modeling as well as the hearing with the ear and brain.

Original language	English (US)
Title of host publication	Computational Music Science
Publisher	Springer Nature
Pages	13-32
Number of pages	20
DOIs	https://doi.org/10.1007/978-3-319-47334-5_3
State	Published - 2016

Publication series

Name	Computational Music Science
ISSN (Print)	1868-0305
ISSN (Electronic)	1868-0313

Bibliographical note

Publisher Copyright:
© 2016, Springer International Publishing AG.

Keywords

Basilar Membrane
Hair Cell
Physical Reality
Round Window
Sound Wave

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10.1007/978-3-319-47334-5_3

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AU - Mannone, Maria

AU - Pang, Yan

AU - O’Brien, Margaret

AU - Torunsky, Nathan T

PY - 2016

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KW - Hair Cell

KW - Physical Reality

KW - Round Window

KW - Sound Wave

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PB - Springer Nature

ER -

Physical Reality

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