Performance Experiments

Guerino Mazzola

doi:10.1007/978-3-319-64444-8_11

Performance Experiments

Guerino Mazzola

Music (Twin Cities)

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

This chapter traces the analyses and syntheses processes which led to the historically first full- edged RUBATO®-driven performance in July 1996 on the MIDI-Boesendorfer at the Staatliche Hochschule für Musik in Karlsruhe, as well as to the qualitatively high performance of contrapunctus III in Bach‘s Kunst der Fuge. We report the technical prerequisites, the analytical background generated by RUBATO®, and the step-by-step realization of the stemma and the overall parametrization.

Original language	English (US)
Title of host publication	Computational Music Science
Publisher	Springer Nature
Pages	687-703
Number of pages	17
DOIs	https://doi.org/10.1007/978-3-319-64444-8_11
State	Published - 2017

Publication series

Name	Computational Music Science
ISSN (Print)	1868-0305
ISSN (Electronic)	1868-0313

Bibliographical note

Publisher Copyright:
© 2017, Springer International Publishing AG, part of Springer Nature.

Publisher link

10.1007/978-3-319-64444-8_11

Find It

Find It at U of M Libraries

Cite this

@inbook{e57b3e9fcc27429cbdbb15cd178f57b6,

title = "Performance Experiments",

abstract = "This chapter traces the analyses and syntheses processes which led to the historically first full- edged RUBATO{\textregistered}-driven performance in July 1996 on the MIDI-Boesendorfer at the Staatliche Hochschule f{\"u}r Musik in Karlsruhe, as well as to the qualitatively high performance of contrapunctus III in Bach{\textquoteleft}s Kunst der Fuge. We report the technical prerequisites, the analytical background generated by RUBATO{\textregistered}, and the step-by-step realization of the stemma and the overall parametrization.",

author = "Guerino Mazzola",

note = "Publisher Copyright: {\textcopyright} 2017, Springer International Publishing AG, part of Springer Nature.",

year = "2017",

doi = "10.1007/978-3-319-64444-8_11",

language = "English (US)",

series = "Computational Music Science",

publisher = "Springer Nature",

pages = "687--703",

booktitle = "Computational Music Science",

address = "United States",

}

TY - CHAP

T1 - Performance Experiments

AU - Mazzola, Guerino

PY - 2017

Y1 - 2017

N2 - This chapter traces the analyses and syntheses processes which led to the historically first full- edged RUBATO®-driven performance in July 1996 on the MIDI-Boesendorfer at the Staatliche Hochschule für Musik in Karlsruhe, as well as to the qualitatively high performance of contrapunctus III in Bach‘s Kunst der Fuge. We report the technical prerequisites, the analytical background generated by RUBATO®, and the step-by-step realization of the stemma and the overall parametrization.

AB - This chapter traces the analyses and syntheses processes which led to the historically first full- edged RUBATO®-driven performance in July 1996 on the MIDI-Boesendorfer at the Staatliche Hochschule für Musik in Karlsruhe, as well as to the qualitatively high performance of contrapunctus III in Bach‘s Kunst der Fuge. We report the technical prerequisites, the analytical background generated by RUBATO®, and the step-by-step realization of the stemma and the overall parametrization.

UR - http://www.scopus.com/inward/record.url?scp=85136723099&partnerID=8YFLogxK

UR - http://www.scopus.com/inward/citedby.url?scp=85136723099&partnerID=8YFLogxK

U2 - 10.1007/978-3-319-64444-8_11

DO - 10.1007/978-3-319-64444-8_11

M3 - Chapter

AN - SCOPUS:85136723099

T3 - Computational Music Science

SP - 687

EP - 703

BT - Computational Music Science

PB - Springer Nature

ER -

Performance Experiments

Abstract

Publication series

Bibliographical note

Publisher link

Find It

Other files and links

Fingerprint

Cite this