Performance Experiments

Research output: Chapter in Book/Report/Conference proceedingChapter


This chapter traces the analyses and syntheses processes which led to the historically first full- edged RUBATO®-driven performance in July 1996 on the MIDI-Boesendorfer at the Staatliche Hochschule für Musik in Karlsruhe, as well as to the qualitatively high performance of contrapunctus III in Bach‘s Kunst der Fuge. We report the technical prerequisites, the analytical background generated by RUBATO®, and the step-by-step realization of the stemma and the overall parametrization.

Original languageEnglish (US)
Title of host publicationComputational Music Science
PublisherSpringer Nature
Number of pages17
StatePublished - 2017

Publication series

NameComputational Music Science
ISSN (Print)1868-0305
ISSN (Electronic)1868-0313

Bibliographical note

Publisher Copyright:
© 2017, Springer International Publishing AG, part of Springer Nature.


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