On Maurya Art

Frederick M Asher

Research output: Chapter in Book/Report/Conference proceedingChapter

Original languageEnglish (US)
Title of host publicationA Companion to Asian Art and Architecture
PublisherWiley Blackwell
Pages421-443
Number of pages23
ISBN (Print)9781405185370
DOIs
StatePublished - Jul 26 2012

Keywords

  • Art, viewed as evolving from its maurya beginnings
  • Ashoka's allahabad pillar, samudragupta's inscriptions placing him in focus
  • Maurya art, the art of ashoka's time, and what stories relate
  • Mauryan art, being replete with unanswered questions
  • Mauryan dynasty as creator, post-enlightenment of individual artists
  • Messages inscribed, exhibiting extent of ashoka's authority
  • Pillar and inscriptions of ashoka in buff sandstone, lauriya-nandangarh, bihar
  • Pillars, carrying edicts, representing the world axis (axis mundi)
  • Present-day identification of sites, not exact locations of the historic
  • The pillars, and placement as such, as monasteries for religious/and traveller's needs

Cite this

Asher, F. M. (2012). On Maurya Art. In A Companion to Asian Art and Architecture (pp. 421-443). Wiley Blackwell. https://doi.org/10.1002/9781444396355.ch17