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Music in traditional Asian theatre

  • Arya Madhavan
  • , Ashley Thorpe
  • , Kati Fitzgerald
  • , Ronald Gilliam
  • , Jay Keister
  • , Andrew Killick
  • , Kirstin Pauka

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

Like dance, music is at the core of the Asian theatrical experience where it not only provides instrumental and percussive accompaniment to recitation, singing and dance, but also underscores the precise movement patterns and emotional essence of scenes. In other words, musicality is essential to the aesthetic quality of Asian performance, from well-known theatrical genres to ritual and folk recitations and dances. This chapter discusses some of the representative musical systems in Asia, including that of the Kerala region of India (home of kutiyattam and kathakali), the banqiangti and lianquti systems of traditional Chinese theatre, the accompaniment of Japanese noh and kyogen, bunraku and kabuki, the Southeast Asian gamelan ensembles, and the role of music in ritual, dance, and storytelling practices in Tibet, Uyghur and Korea.

Original languageEnglish (US)
Title of host publicationRoutledge Handbook of Asian Theatre
PublisherTaylor and Francis Inc.
Pages131-153
Number of pages23
ISBN (Electronic)9781317278856
ISBN (Print)9780415821551
DOIs
StatePublished - Feb 4 2016
Externally publishedYes

Bibliographical note

Publisher Copyright:
© 2016 selection and editorial material, Siyuan Liu; individual chapters, the contributors. All rights reserved.

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