'Melodious Singing Voice' According to Koshikô: Doing Traditional 'All-Male' Gidayû-Music as a  Female Chanter in Contemporary Japan

Maki Isaka

'Melodious Singing Voice' According to Koshikô: Doing Traditional 'All-Male' Gidayû-Music as a Female Chanter in Contemporary Japan

Asian and Middle Eastern Studies

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Original language	English (US)
Title of host publication	The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism
Editors	Catherine Burroughs, J. Ellen Gainor
Place of Publication	New York
Publisher	Routledge.
State	In preparation - 2020

Cite this

@inbook{0f2275fbdaf04b0193d1d32bb3d9a613,

title = "'Melodious Singing Voice' According to Koshik{\^o}: Doing Traditional 'All-Male' Giday{\^u}-Music as a Female Chanter in Contemporary Japan",

author = "Maki Isaka",

year = "2020",

language = "English (US)",

editor = "Catherine Burroughs and Gainor, {J. Ellen}",

booktitle = "The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism",

publisher = "Routledge.",

}