Making the invisible visible: The presence of older women artists in early modern artistic biography

Julia K. Dabbs

    Research output: Chapter in Book/Report/Conference proceedingChapter

    Abstract

    In her seminal book The Obstacle Race: the Fortunes of Women Painters and Their Work (2001), Germaine Greer writes of the ridicule faced by eighteenth-century painters Anna Dorothea Lisiewska-Therbusch and Giulia Lama as they reached middle age, due to their purported lack of physical attractiveness. This chapter follows up on Greer’s work and further examines verbal and visual characterisations of older women artists of the early modern period (i.e. 1400-1800) to consider whether this discourse of humiliation was the norm, as well as to see how such characterisations compare to those of elder male artists.

    Original languageEnglish (US)
    Title of host publicationAgeing Women in Literature and Visual Culture
    Subtitle of host publicationReflections, Refractions, Reimaginings
    PublisherSpringer International Publishing
    Pages23-40
    Number of pages18
    ISBN (Electronic)9783319636092
    ISBN (Print)9783319636085
    DOIs
    StatePublished - Jan 1 2017

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