Ludwig van Beethoven’s Sonata opus 109: Six Variations

Guerino Mazzola; Joomi Park; Florian Thalmann

doi:10.1007/978-3-642-24517-6_26

Ludwig van Beethoven’s Sonata opus 109: Six Variations

Guerino Mazzola, Joomi Park, Florian Thalmann

Music (Twin Cities)

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

This case study illustrates the mathematical variant of our concept of creativity as discussed in section 19.2. The musical example we are looking at in this chapter is the third movement of Beethoven’s piano Sonata in E-major, op. 109, which is a sequence of six variations on the sonata’s main theme, and which is titled “Gesangvoll, mit innigster Empfindung” (“Lyrical, with deepest sentiment”). We mainly follow the brilliant analysis by Jürgen Uhde (1974, p. 465 ff.).

Original language	English (US)
Title of host publication	Computational Music Science
Publisher	Springer Nature
Pages	305-310
Number of pages	6
DOIs	https://doi.org/10.1007/978-3-642-24517-6_26
State	Published - 2011

Publication series

Name	Computational Music Science
ISSN (Print)	1868-0305
ISSN (Electronic)	1868-0313

Bibliographical note

Publisher Copyright:
© 2011, Springer-Verlag Berlin Heidelberg.

Keywords

Basic Tonality
Mathematical Variant
Mathematical Version
Musical Creativity
Tonic Triad

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10.1007/978-3-642-24517-6_26

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Ludwig van Beethoven’s Sonata opus 109: Six Variations

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