Imperial boyhood: Piracy and the play ethic

Bradley Deane

    Research output: Contribution to journalArticlepeer-review

    19 Scopus citations

    Abstract

    Representations of perpetual boyhood came to fascinate the late Victorians, partly because such images could naturalize a new spirit of imperial aggression and new policies of preserving power. This article traces the emergence of this fantasy through a series of stories about the relationship of the boy and the pirate, figures whose opposition in mid-Victorian literature was used to articulate the moral legitimacy of colonialism, but who became doubles rather than antitheses in later novels, such as R. L. Stevenson's Treasure Island and Joseph Conrad's Lord Jim. Masculine worth needed no longer to be measured by reference to transcendent, universal laws, but by a morally flexible ethic of competitive play, one that bound together boyishness and piracy in a satisfying game of international adventure.

    Original languageEnglish (US)
    Pages (from-to)689-714
    Number of pages26
    JournalVictorian Studies
    Volume53
    Issue number4
    DOIs
    StatePublished - 2011

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