Abstract
Indulal Yagnik (1892-1972) was an independence activist, a writer, and a film-maker. He renounced his family and vowed to live like a fakir (mendicant). His six-volume autobiography heavily draws on the trope of homelessness, a state often associated with fakirs. In this chapter, I argue that Yagnik’s is a distinctive kind of homelessness - it is accompanied by the love of having a home. If we begin - and, as historians, we surely should - with the assumption that homelessness does not mean the same thing in all times and places, and that metaphors, too, have history, then the question follows: how was Yagnik’s homelessness produced? Within what conceptual field, more precisely, were Yagnik’s simultaneous love of home and homelessness conceived? Here, I would like to situate Yagnik’s simultaneous love of home and homelessness in relation to two other sets of practices of home and homelessness - those involved in the logic of transcendence and the politics of neighborliness, within the coordinates of Indian nationalism.
Original language | English (US) |
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Title of host publication | Decolonial Travel |
Subtitle of host publication | Vernacular Mobilities in India |
Publisher | Taylor and Francis |
Pages | 145-170 |
Number of pages | 26 |
ISBN (Electronic) | 9781040223741 |
ISBN (Print) | 9781032858081 |
DOIs | |
State | Published - Jan 1 2024 |
Bibliographical note
Publisher Copyright:© 2025 selection and editorial matter, Avishek Ray individual chapters, the contributors.