Abstract
Taking its cue from the loss (more precisely, the disappearance) of a close friend and sometime collaborator, and drawing on my long-term fieldwork on an experimental arts festival held annually in the Orkney Islands, this essay reflects on the challenges of documenting uncertain or intermittent presence, as well as the possibilities the latter affords for unsettling and expanding received conceptions of identity, place, and belonging, especially in a political moment in which these are being defined in increasingly narrow and exclusionary terms. Bringing ethnography and autoethnography into dialogue with literature, visual arts, and oral storytelling, it suggests that anthropology can most effectively respond to the challenges of the present by acknowledging that it is, inescapably, a creative as much as a descriptive practice.
Original language | English (US) |
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Pages (from-to) | 33-48 |
Number of pages | 16 |
Journal | Anthropology and Humanism |
Volume | 49 |
Issue number | 1 |
DOIs | |
State | Published - Jun 2024 |
Bibliographical note
Publisher Copyright:© 2024 The Authors. Anthropology and Humanism published by Wiley Periodicals LLC on behalf of American Anthropological Association.
Keywords
- art
- islands
- missing persons
- storytelling
- survivals