Global Music

Guerino Mazzola; Maria Mannone; Yan Pang; Margaret O’Brien; Nathan T Torunsky

doi:10.1007/978-3-319-47334-5_13

Global Music

Guerino Mazzola, Maria Mannone, Yan Pang, Margaret O’Brien, Nathan T Torunsky

Music (Twin Cities)

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

As a map of the world can be covered by a superposition of smaller maps of the different continents, music also has a global aspect. Each musical work can be seen as a whole (global) and its superposition of parts (local). The same can happen to tempo, where we can define hierarchies. Music is global in the sense that pieces and recordings can be shared through all the time and space in the world. However, a global level in the Renaissance or Baroque periods would have a much different meaning than today. If you asked Bach about globality, his answer would be totally different than from one of today’s composers. Bach would be ecstatic if his piece reached a different continent. Today, many musicians celebrate being world stars via YouTube.

Original language	English (US)
Title of host publication	Computational Music Science
Publisher	Springer Nature
Pages	115-124
Number of pages	10
DOIs	https://doi.org/10.1007/978-3-319-47334-5_13
State	Published - 2016

Publication series

Name	Computational Music Science
ISSN (Print)	1868-0305
ISSN (Electronic)	1868-0313

Bibliographical note

Publisher Copyright:
© 2016, Springer International Publishing AG.

Keywords

Brain Opus
Music Notation
Musical Object
Musical Work
Time Hierarchy

Publisher link

10.1007/978-3-319-47334-5_13

Find It

Find It at U of M Libraries

Cite this

@inbook{00df7f75e40a4da4a234b5628441c307,

title = "Global Music",

abstract = "As a map of the world can be covered by a superposition of smaller maps of the different continents, music also has a global aspect. Each musical work can be seen as a whole (global) and its superposition of parts (local). The same can happen to tempo, where we can define hierarchies. Music is global in the sense that pieces and recordings can be shared through all the time and space in the world. However, a global level in the Renaissance or Baroque periods would have a much different meaning than today. If you asked Bach about globality, his answer would be totally different than from one of today{\textquoteright}s composers. Bach would be ecstatic if his piece reached a different continent. Today, many musicians celebrate being world stars via YouTube.",

keywords = "Brain Opus, Music Notation, Musical Object, Musical Work, Time Hierarchy",

author = "Guerino Mazzola and Maria Mannone and Yan Pang and Margaret O{\textquoteright}Brien and Torunsky, {Nathan T}",

note = "Publisher Copyright: {\textcopyright} 2016, Springer International Publishing AG.",

year = "2016",

doi = "10.1007/978-3-319-47334-5_13",

language = "English (US)",

series = "Computational Music Science",

publisher = "Springer Nature",

pages = "115--124",

booktitle = "Computational Music Science",

address = "United States",

}

TY - CHAP

T1 - Global Music

AU - Mazzola, Guerino

AU - Mannone, Maria

AU - Pang, Yan

AU - O’Brien, Margaret

AU - Torunsky, Nathan T

PY - 2016

Y1 - 2016

N2 - As a map of the world can be covered by a superposition of smaller maps of the different continents, music also has a global aspect. Each musical work can be seen as a whole (global) and its superposition of parts (local). The same can happen to tempo, where we can define hierarchies. Music is global in the sense that pieces and recordings can be shared through all the time and space in the world. However, a global level in the Renaissance or Baroque periods would have a much different meaning than today. If you asked Bach about globality, his answer would be totally different than from one of today’s composers. Bach would be ecstatic if his piece reached a different continent. Today, many musicians celebrate being world stars via YouTube.

AB - As a map of the world can be covered by a superposition of smaller maps of the different continents, music also has a global aspect. Each musical work can be seen as a whole (global) and its superposition of parts (local). The same can happen to tempo, where we can define hierarchies. Music is global in the sense that pieces and recordings can be shared through all the time and space in the world. However, a global level in the Renaissance or Baroque periods would have a much different meaning than today. If you asked Bach about globality, his answer would be totally different than from one of today’s composers. Bach would be ecstatic if his piece reached a different continent. Today, many musicians celebrate being world stars via YouTube.

KW - Brain Opus

KW - Music Notation

KW - Musical Object

KW - Musical Work

KW - Time Hierarchy

UR - http://www.scopus.com/inward/record.url?scp=85136701329&partnerID=8YFLogxK

UR - http://www.scopus.com/inward/citedby.url?scp=85136701329&partnerID=8YFLogxK

U2 - 10.1007/978-3-319-47334-5_13

DO - 10.1007/978-3-319-47334-5_13

M3 - Chapter

AN - SCOPUS:85136701329

T3 - Computational Music Science

SP - 115

EP - 124

BT - Computational Music Science

PB - Springer Nature

ER -

Global Music

Abstract

Publication series

Bibliographical note

Keywords

Publisher link

Find It

Other files and links

Fingerprint

Cite this