Global Music

Guerino Mazzola; Maria Mannone; Yan Pang; Margaret O’Brien; Nathan Torunsky

doi:10.1007/978-3-319-47334-5_13

Global Music

Guerino Mazzola, Maria Mannone, Yan Pang, Margaret O’Brien, Nathan Torunsky

Music (Twin Cities)

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

As a map of the world can be covered by a superposition of smaller maps of the different continents, music also has a global aspect. Each musical work can be seen as a whole (global) and its superposition of parts (local). The same can happen to tempo, where we can define hierarchies. Music is global in the sense that pieces and recordings can be shared through all the time and space in the world. However, a global level in the Renaissance or Baroque periods would have a much different meaning than today. If you asked Bach about globality, his answer would be totally different than from one of today’s composers. Bach would be ecstatic if his piece reached a different continent. Today, many musicians celebrate being world stars via YouTube.

Original language	English (US)
Title of host publication	Computational Music Science
Publisher	Springer Nature
Pages	115-124
Number of pages	10
DOIs	https://doi.org/10.1007/978-3-319-47334-5_13
State	Published - 2016

Publication series

Name	Computational Music Science
ISSN (Print)	1868-0305
ISSN (Electronic)	1868-0313

Bibliographical note

Publisher Copyright:
© 2016, Springer International Publishing AG.

Keywords

Brain Opus
Music Notation
Musical Object
Musical Work
Time Hierarchy

Publisher link

10.1007/978-3-319-47334-5_13

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AU - Pang, Yan

AU - O’Brien, Margaret

AU - Torunsky, Nathan

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KW - Musical Work

KW - Time Hierarchy

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Global Music

Abstract

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