The explicit expression of counterpoint rules has always attracted scientists and musicians interested in computer science. It does not come as a surprise that the first musical piece composed with the help of a computer was a counterpoint simulation.1 The algorithmic flavor of the Gradus and its systematic organization into species  calls logically for a translation of composition techniques into formal mathematical models and algorithms.
|Original language||English (US)|
|Title of host publication||Computational Music Science|
|Number of pages||25|
|State||Published - 2015|
|Name||Computational Music Science|
Bibliographical notePublisher Copyright:
© 2015, Springer International Publishing Switzerland.
- Absolute Pitch
- Composition Rule
- Music Score
- Musical Piece
- Reverse Operation