Experimentation

Octavio Alberto Agustín-Aquino; Julien Junod; Guerino Mazzola

doi:10.1007/978-3-319-11236-7_6

Experimentation

Octavio Alberto Agustín-Aquino, Julien Junod, Guerino Mazzola

Music (Twin Cities)

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

The explicit expression of counterpoint rules has always attracted scientists and musicians interested in computer science. It does not come as a surprise that the first musical piece composed with the help of a computer was a counterpoint simulation.1 The algorithmic flavor of the Gradus and its systematic organization into species [29] calls logically for a translation of composition techniques into formal mathematical models and algorithms.

Original language	English (US)
Title of host publication	Computational Music Science
Publisher	Springer Nature
Pages	101-125
Number of pages	25
DOIs	https://doi.org/10.1007/978-3-319-11236-7_6
State	Published - 2015

Publication series

Name	Computational Music Science
ISSN (Print)	1868-0305
ISSN (Electronic)	1868-0313

Bibliographical note

Publisher Copyright:
© 2015, Springer International Publishing Switzerland.

Keywords

Absolute Pitch
Composition Rule
Music Score
Musical Piece
Reverse Operation

Publisher link

10.1007/978-3-319-11236-7_6

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KW - Absolute Pitch

KW - Composition Rule

KW - Music Score

KW - Musical Piece

KW - Reverse Operation

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Experimentation

Abstract

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Bibliographical note

Keywords

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