Abstract
Stemma theory offers a model for a critical understanding of performance as a complex process between interpretation and the rhetorics of expressive performance grammar. We make the model and its limitations explicit.
Original language | English (US) |
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Title of host publication | Computational Music Science |
Publisher | Springer Nature |
Pages | 755-770 |
Number of pages | 16 |
DOIs | |
State | Published - 2017 |
Publication series
Name | Computational Music Science |
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ISSN (Print) | 1868-0305 |
ISSN (Electronic) | 1868-0313 |
Bibliographical note
Publisher Copyright:© 2017, Springer International Publishing AG, part of Springer Nature.