Abstract
We present and discuss an experimental investigation of Johann Sebastian Bach's "Kunst der Fuge" on the RUBATO analysis and performance platform. Three resultsare presented: (1) Soniiication of analysis yields an immediate evidence of well-organized metrical structure. (2) Valid performances of major works of European Music can be construed in a puzzle paradigm of combinatorial construction rather than in fuzzy metaphors of creativity and inspiration. (3) Prejudice-free, analysis-driven strategies seem to yield more interesting performances than strategies which try to reach a preset expressive style-target.
Original language | English (US) |
---|---|
Journal | International Computer Music Conference, ICMC Proceedings |
State | Published - 1998 |
Externally published | Yes |
Event | 24th International Computer Music Conference, ICMC 1998 - Ann Arbor, United States Duration: Oct 1 1998 → Oct 6 1998 |
Bibliographical note
Publisher Copyright:© 1998 ICMC. All Rights Reserved.