Abstract
We present statistical evidence for the importance of the “mystic chord” in Scriabin’s Piano Sonata No. 5, Op. 53, from a computational and mathematical counterpoint perspective. More specifically, we compute the effect sizes and perform $$\chi ^{2}$$ tests with respect to the distributions of counterpoint symmetries in the Fuxian, mystic, Ionian and representatives of the other three possible counterpoint worlds in two passages of the work, which provide evidence of a qualitative change between the Fuxian and the mystic worlds in the sonata.
Original language | English (US) |
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Title of host publication | Mathematics and Computation in Music - 7th International Conference, MCM 2019, Proceedings |
Editors | Mariana Montiel, Francisco Gomez-Martin, Octavio A. Agustín-Aquino |
Publisher | Springer Verlag |
Pages | 3-20 |
Number of pages | 18 |
ISBN (Print) | 9783030213916 |
DOIs | |
State | Published - 2019 |
Event | 7th International Conference on Mathematics and Computation in Music, MCM 2019 - Madrid, Spain Duration: Jun 18 2019 → Jun 21 2019 |
Publication series
Name | Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics) |
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Volume | 11502 LNAI |
ISSN (Print) | 0302-9743 |
ISSN (Electronic) | 1611-3349 |
Conference
Conference | 7th International Conference on Mathematics and Computation in Music, MCM 2019 |
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Country/Territory | Spain |
City | Madrid |
Period | 6/18/19 → 6/21/19 |
Bibliographical note
Publisher Copyright:© 2019, Springer Nature Switzerland AG.
Keywords
- Counterpoint
- Mystic chord
- Scriabin