Abstract
This study adopted the Musical Ear Test [Wallentin, Nielsen, Friis-Olivarius, Vuust, and Vuust (2010). Learn. Indiv. Diff. 20, 188-196] to compare musical competence of sighted and congenitally blind Mandarin speakers. On the rhythm subtest, the blind participants outperformed the sighted. On the melody subtest, however, the two groups performed equally well. Compared with sighted speakers of non-tonal languages reported in previous studies [Wallentin, Nielsen, Friis-Olivarius, Vuust, and Vuust (2010). Learn. Indiv. Diff. 20, 188-196; Bhatara, Yeung, and Nazzi (2015). J. Exp. Psychol. Hum. Percept. Perform. 41(2), 277-282], sighted Mandarin speakers performed better only on the melody subtest. These results indicate that tonal language experience and congenital blindness exert differential influences on musical aptitudes with rhythm perception reflecting a cross-modal compensation effect and melody perception dominated by a cross-domain language-to-music transfer effect.
| Original language | English (US) |
|---|---|
| Pages (from-to) | EL354-EL359 |
| Journal | Journal of the Acoustical Society of America |
| Volume | 145 |
| Issue number | 5 |
| DOIs | |
| State | Published - May 1 2019 |
Bibliographical note
Funding Information:This research was supported by grants from the Social Science Fund of Beijing (Grant No. 17YYA004) and the Science Foundation of Beijing Language and Culture University (Fundamental Research Funds for the Central Universities) (Grant No. 18PT09) to L.Z.
Publisher Copyright:
© 2019 Acoustical Society of America.