Conclusions and Perspectives

Guerino Mazzola; Sangeeta Dey; Zilu Chen; Yan Pang

doi:10.1007/978-3-030-85190-3_12

Conclusions and Perspectives

Guerino Mazzola, Sangeeta Dey, Zilu Chen, Yan Pang

Music (Twin Cities)

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

This chapter reviews how the mathematics of new concepts of music that we discuss in the book can be used to better understand creativity and its logic. The reading of this book will support your ability to become a more versatile music creator. By tying together the concepts of functorial semiotics, you will expand your ability to compose methodically and strategically, rather than simply waiting for inspiration to strike.

Original language	English (US)
Title of host publication	Computational Music Science
Publisher	Springer Nature
Pages	153-155
Number of pages	3
DOIs	https://doi.org/10.1007/978-3-030-85190-3_12
State	Published - 2022

Publication series

Name	Computational Music Science
ISSN (Print)	1868-0305
ISSN (Electronic)	1868-0313

Bibliographical note

Funding Information:
This study including the APC was financially supported by the project ‘‘Silvics of Korea (KNA1–1–18, 15–3)’’. The funders had no role in study design, data collection and analysis, decision to publish, or preparation of the manuscript.

Publisher Copyright:
© 2022, The Author(s), under exclusive license to Springer Nature Switzerland AG.

Publisher link

10.1007/978-3-030-85190-3_12

Find It

Find It at U of M Libraries

Cite this

@inbook{d9eebf1d584b4dc29fbc005c97558f58,

title = "Conclusions and Perspectives",

abstract = "This chapter reviews how the mathematics of new concepts of music that we discuss in the book can be used to better understand creativity and its logic. The reading of this book will support your ability to become a more versatile music creator. By tying together the concepts of functorial semiotics, you will expand your ability to compose methodically and strategically, rather than simply waiting for inspiration to strike.",

author = "Guerino Mazzola and Sangeeta Dey and Zilu Chen and Yan Pang",

note = "Funding Information: This study including the APC was financially supported by the project {\textquoteleft}{\textquoteleft}Silvics of Korea (KNA1–1–18, 15–3){\textquoteright}{\textquoteright}. The funders had no role in study design, data collection and analysis, decision to publish, or preparation of the manuscript. Publisher Copyright: {\textcopyright} 2022, The Author(s), under exclusive license to Springer Nature Switzerland AG.",

year = "2022",

doi = "10.1007/978-3-030-85190-3_12",

language = "English (US)",

series = "Computational Music Science",

publisher = "Springer Nature",

pages = "153--155",

booktitle = "Computational Music Science",

address = "United States",

}

TY - CHAP

T1 - Conclusions and Perspectives

AU - Mazzola, Guerino

AU - Dey, Sangeeta

AU - Chen, Zilu

AU - Pang, Yan

N1 - Funding Information: This study including the APC was financially supported by the project ‘‘Silvics of Korea (KNA1–1–18, 15–3)’’. The funders had no role in study design, data collection and analysis, decision to publish, or preparation of the manuscript. Publisher Copyright: © 2022, The Author(s), under exclusive license to Springer Nature Switzerland AG.

PY - 2022

Y1 - 2022

N2 - This chapter reviews how the mathematics of new concepts of music that we discuss in the book can be used to better understand creativity and its logic. The reading of this book will support your ability to become a more versatile music creator. By tying together the concepts of functorial semiotics, you will expand your ability to compose methodically and strategically, rather than simply waiting for inspiration to strike.

AB - This chapter reviews how the mathematics of new concepts of music that we discuss in the book can be used to better understand creativity and its logic. The reading of this book will support your ability to become a more versatile music creator. By tying together the concepts of functorial semiotics, you will expand your ability to compose methodically and strategically, rather than simply waiting for inspiration to strike.

UR - http://www.scopus.com/inward/record.url?scp=85136661522&partnerID=8YFLogxK

UR - http://www.scopus.com/inward/citedby.url?scp=85136661522&partnerID=8YFLogxK

U2 - 10.1007/978-3-030-85190-3_12

DO - 10.1007/978-3-030-85190-3_12

M3 - Chapter

AN - SCOPUS:85136661522

T3 - Computational Music Science

SP - 153

EP - 155

BT - Computational Music Science

PB - Springer Nature

ER -

Conclusions and Perspectives

Abstract

Publication series

Bibliographical note

Publisher link

Find It

Other files and links

Fingerprint

Cite this