Abstract
Cadences are shorthand representations of tonalities. (We do not discuss the other meanings—e.g., the solo cadence in the sense of a concert climax|of this typically homonymic term.) There is a variety of approaches to realize such a representation. We give an explicit definition of the concept of a cadence with respect to varied addresses and ambient spaces. In particular, we present the very classical cadences, those related to self-addressed function theory, and more exotic self-addressed cadences which relate to symmetries rather than to tones or sets of such objects.
Original language | English (US) |
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Title of host publication | Computational Music Science |
Publisher | Springer Nature |
Pages | 453-462 |
Number of pages | 10 |
DOIs | |
State | Published - 2017 |
Publication series
Name | Computational Music Science |
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ISSN (Print) | 1868-0305 |
ISSN (Electronic) | 1868-0313 |
Bibliographical note
Publisher Copyright:© 2017, Springer International Publishing AG, part of Springer Nature.