Cadences are shorthand representations of tonalities. (We do not discuss the other meanings—e.g., the solo cadence in the sense of a concert climax|of this typically homonymic term.) There is a variety of approaches to realize such a representation. We give an explicit definition of the concept of a cadence with respect to varied addresses and ambient spaces. In particular, we present the very classical cadences, those related to self-addressed function theory, and more exotic self-addressed cadences which relate to symmetries rather than to tones or sets of such objects.
|Original language||English (US)|
|Title of host publication||Computational Music Science|
|Number of pages||10|
|State||Published - 2017|
|Name||Computational Music Science|
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