Boulez: Structures Recomposed

Guerino Mazzola; Joomi Park; Florian Thalmann

doi:10.1007/978-3-642-24517-6_25

Boulez: Structures Recomposed

Guerino Mazzola
, Joomi Park
, Florian Thalmann

Music (Twin Cities)

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

In (Boulez, 1989), Pierre Boulez describes a compositional strategy called analyse créatrice, creative analysis, which is opposed to what he calls “sterile academic” analysis in that the analytical results are used as germs to create new compositions. Before discussing Boulez’s ideas in detail, we should stress that his procedure transcends the purely analytical or compositional activities: He proposes a coherent double activity that includes both analysis and composition. This means that our own discourse in this chapter will deal with both, analysis and composition, the latter more specifically realized by use of the music composition software RUBATO^® (Mazzola et al., 1996).

Original language	English (US)
Title of host publication	Computational Music Science
Publisher	Springer Nature
Pages	279-303
Number of pages	25
DOIs	https://doi.org/10.1007/978-3-642-24517-6_25
State	Published - 2011

Publication series

Name	Computational Music Science
ISSN (Print)	1868-0305
ISSN (Electronic)	1868-0313

Bibliographical note

Publisher Copyright:
© 2011, Springer-Verlag Berlin Heidelberg.

Keywords

Address Change
Critical Concept
Musical Composition
Primary Parameter
Secondary Parameter

Publisher link

10.1007/978-3-642-24517-6_25

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AU - Park, Joomi

AU - Thalmann, Florian

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AB - In (Boulez, 1989), Pierre Boulez describes a compositional strategy called analyse créatrice, creative analysis, which is opposed to what he calls “sterile academic” analysis in that the analytical results are used as germs to create new compositions. Before discussing Boulez’s ideas in detail, we should stress that his procedure transcends the purely analytical or compositional activities: He proposes a coherent double activity that includes both analysis and composition. This means that our own discourse in this chapter will deal with both, analysis and composition, the latter more specifically realized by use of the music composition software RUBATO® (Mazzola et al., 1996).

KW - Address Change

KW - Critical Concept

KW - Musical Composition

KW - Primary Parameter

KW - Secondary Parameter

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M3 - Chapter

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BT - Computational Music Science

PB - Springer Nature

ER -

Boulez: Structures Recomposed

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