Bloodlands fiction: Cultural trauma politics and the memory of Soviet atrocities in breaking Stalin's nose, A Winter's Day in 1939 and Between Shades of Gray

Keyphrases

• Atrocity 100%
• Bloodlands 100%
• Cognitive Effects 20%
• Communist Regime 20%
• Cultural Memory 20%
• Cultural Trauma 100%
• Deconstruction 20%
• Deportation 20%
• Diaspora 20%
• Eastern Europe 40%
• Ethnic Groups 20%
• EUGene 20%
• Genocide 20%
• Historical Fiction 20%
• History Research 20%
• Holocaust Studies 20%
• Joseph Stalin 100%
• Late Work 20%
• Lithuanian 20%
• Memory Studies 20%
• Mid-1990s 20%
• Minoritarian 20%
• National Group 20%
• National Literature 20%
• Non-Western 20%
• Persecution 20%
• Politics 100%
• Post-tensioning 20%
• Postcolonial 40%
• Psychoanalysis 20%
• Ruta 20%
• Textual Strategies 20%
• Trauma 60%
• Trauma Fiction 60%
• Trauma Theory 40%
• Traumatic Experiences 20%

Arts and Humanities

• 1950s 20%
• 1990s 40%
• Atrocities 100%
• Bloodland 100%
• Cognitive 20%
• Communist Regime 20%
• Confluence 20%
• Cultural Memory 20%
• Cultural trauma 100%
• Deconstruction 20%
• Eastern Europe 40%
• Esthetics 20%
• Genre 60%
• Global 20%
• Historical fiction 20%
• Holocaust Studies 20%
• Incumbents 20%
• Joseph Stalin 100%
• Limitations 20%
• Literature 20%
• Memory studies 20%
• National Literatures 20%
• New Zealander 20%
• Normative 20%
• Persecution 20%
• Post-colonial 40%
• Suppression 20%
• Textual Strategies 20%
• Tradition 40%
• Trauma 60%
• Trauma Fiction 60%
• Trauma theory 40%