20122019
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Fingerprint The Fingerprint is created by mining the titles and abstracts of the person's research outputs and projects/funding awards to create an index of weighted terms from discipline-specific thesauri.

  • 14 Similar Profiles
cinema Social Sciences
small town Social Sciences
Homelands Social Sciences
diaspora Social Sciences
narrative Social Sciences
masculinity Social Sciences
love Social Sciences
modernity Social Sciences

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Research Output 2012 2019

Solar Filament Eruptions as Precursors to Flare-CME Events: Establishing the Temporal Connection

Sinha, S., Srivastava, N. & Nandy, D., Aug 1 2019, In : Astrophysical Journal. 880, 2, 84.

Research output: Contribution to journalArticle

coronal mass ejection
volcanic eruptions
flares
filaments
volcanic eruption

Urban love, celluloid illusion: A re-evaluation of Bombay middle cinema of the 1970s

Sinha, S., Jan 2 2019, In : South Asian Popular Culture. 17, 1, p. 95-110 16 p.

Research output: Contribution to journalArticle

cinema
love
evaluation
genre
dispositif

Magical modernity the fallacy of affect in Ritwik Ghatak's Ajantrik

Sinha, S., Dec 1 2017, In : Cultural Critique. 95, p. 101-130 30 p.

Research output: Contribution to journalReview article

modernity
Modernity
Fallacies

Ghostly Predicament: Narrative, Spectrality and Historicality in Rabindranath Tagore's 'The Hungry Stones'

Sinha, S., Sep 3 2015, In : Interventions. 17, 5, p. 728-743 16 p.

Research output: Contribution to journalReview article

narrative
history
historiography
realism
dialogue

Critique of the disciplinary sovereign in Rabindranath Tagore's raktakarabi (red oleanders)

Sinha, S., Dec 5 2014, The Politics and Reception of Rabindranath Tagore's Drama: The Bard on the Stage. Taylor and Francis Inc., p. 121-127 7 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Rabindranath Tagore