20122019
If you made any changes in Pure, your changes will be visible here soon.

Fingerprint The Fingerprint is created by mining the titles and abstracts of the person's research outputs and projects/funding awards to create an index of weighted terms from discipline-specific thesauri.

  • 11 Similar Profiles
cinema Social Sciences
small town Social Sciences
Homelands Social Sciences
diaspora Social Sciences
narrative Social Sciences
masculinity Social Sciences
love Social Sciences
modernity Social Sciences

Research Output 2012 2019

Urban love, celluloid illusion: A re-evaluation of Bombay middle cinema of the 1970s

Sinha, S., Jan 2 2019, In : South Asian Popular Culture. 17, 1, p. 95-110 16 p.

Research output: Contribution to journalArticle

cinema
love
evaluation
genre
dispositif

Magical modernity the fallacy of affect in Ritwik Ghatak's Ajantrik

Sinha, S., Dec 1 2017, In : Cultural Critique. 95, p. 101-130 30 p.

Research output: Contribution to journalReview article

modernity
Modernity
Fallacies

Ghostly Predicament: Narrative, Spectrality and Historicality in Rabindranath Tagore's 'The Hungry Stones'

Sinha, S., Jan 1 2015, In : Interventions. 17, 5, p. 728-743 16 p.

Research output: Contribution to journalReview article

narrative
history
historiography
realism
dialogue

Critique of the disciplinary sovereign in Rabindranath Tagore's raktakarabi (red oleanders)

Sinha, S., Dec 5 2014, The Politics and Reception of Rabindranath Tagore's Drama: The Bard on the Stage. Taylor and Francis Inc., p. 121-127 7 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Rabindranath Tagore
3 Citations (Scopus)

Vernacular masculinity and politics of space in contemporary Bollywood cinema

Sinha, S., Jan 1 2013, In : Studies in South Asian Film and Media. 5, 2, p. 131-145 15 p.

Research output: Contribution to journalArticle

small town
cinema
masculinity
politics
legality