Peter J Mercer-Taylor

19952017
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Fingerprint The Fingerprint is created by mining the titles and abstracts of the person's research outputs and projects/funding awards to create an index of weighted terms from discipline-specific thesauri.

Music Arts & Humanities
Song Arts & Humanities
Hymn Arts & Humanities
Symphony Arts & Humanities
Revival Arts & Humanities
Composer Arts & Humanities
Art Arts & Humanities
Jews Arts & Humanities

Research Output 1995 2017

Mendelssohn’s “Scottish” symphony and the music of German memory

Mercer-Taylor, P., Jan 1 2017, Mendelssohn. Taylor and Francis, p. 359-373 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Music
Symphony

Listening for the "still small voice" of Mendelssohn's domestic Elijah

Mercer-Taylor, P. J., Jan 1 2015, In : Journal of Musicology. 32, 1, p. 40-77 38 p.

Research output: Contribution to journalReview article

Widows
Interpretive Approach
Premiere
Evaluation
Divine Presence

Between hymn and horror film: How do we listen to cradle of filth?

Mercer-Taylor, P., Jan 1 2013, The Lure of the Dark Side: Satan and Western Demonology in Popular Culture: Satanism and Western Demonology in Popular Culture. Christianson, E. & Partridge, C. (eds.). London, UK: Equinox Publishing Ltd, p. 39-59 21 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Hymn
Cradle
Horror Films
Satan
Evil
1 Citation (Scopus)
Song
Pop Songs
Impulse
Terry Riley
Reconciliation