Projects per year
Personal profile
Expertise related to UN Sustainable Development Goals
In 2015, UN member states agreed to 17 global Sustainable Development Goals (SDGs) to end poverty, protect the planet and ensure prosperity for all. This person’s work contributes towards the following SDG(s):
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The Fingerprint is created by mining the titles and abstracts of the person's research outputs and projects/funding awards to create an index of weighted terms from discipline-specific thesauri.
- 1 Similar Profiles
Projects
- 2 Finished
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Femmes Fatales, Honorary Men and Muted Feminine Voices:
Isaka, M. (PI)
AMERICAN COUNCIL OF LEARNED SOCIETIES
8/28/17 → 8/27/18
Project: Research project
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Gender and Onnagata: A History, Mechanism, and Labyrinth
Isaka, M. (PI)
AMERICAN COUNCIL OF LEARNED SOCIETIES, THE ANDREW W. MELLON FOUNDATION
7/1/06 → 6/30/09
Project: Research project
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Masculinized femininity of women characters on the Kabuki stage: Female Onnagata's “cross-gender” performance in the “all-male” theatre
Isaka, M., Dec 2023, In: Journal of Material Culture. 28, 4, p. 539-558 20 p.Research output: Contribution to journal › Article › peer-review
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Mishima Yukio's "onnagata" as a shingeki theatre-fiction: "Amalgamation" of the theatrical and the literary in a kabuki-world tale
Isaka, M., Oct 30 2023, The Routledge Companion to Theatre-Fiction. Taylor and Francis, p. 103-115 13 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Takemoto Koshikô (b.1953)
Isaka, M., Sep 29 2023, The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism. Taylor and Francis, p. 584-587 4 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Book review of: Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost by Satoko Shimazaki
Isaka, M., 2020, In: Comparative Drama. 53, 1-2, p. 149-153 5 p.Research output: Contribution to journal › Book/Film/Article review › peer-review
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'Melodious Singing Voice' According to Koshikô: Doing Traditional 'All-Male' Gidayû-Music as a Female Chanter in Contemporary Japan
Isaka, M., 2020, (In preparation) The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism. Burroughs, C. & Gainor, J. E. (eds.). New York: Routledge.Research output: Chapter in Book/Report/Conference proceeding › Chapter
Activities
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Women with Men's Throat, Females with Bound Breasts: Contingent Bodies, Binding and Bound Cognition, and Performing Arts in Japan
Isaka, M. (Speaker)
Oct 2019Activity: Talk types › Submitted presentation or panel
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Signifying Power of Performance: Female Musicians and the Vulnerable Nature of 'Literature'
Isaka, M. (Invited speaker)
Mar 2019Activity: Talk types › Invited presentation
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Gone with Roshô: What Female Gidayû Musicians in Modern Japan Could Have Brought to 'Literature'
Isaka, M. (Speaker)
Apr 2018Activity: Talk types › Submitted presentation or panel
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Searching for Conscious Multiple POVs: Use of 'Fictional Writing' in Research-Paper Exercise
Isaka, M. (Speaker)
Mar 2018Activity: Talk types › Other
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Kangaetemiru Jendâ, Okonatteiru Jendâ: Jendâ Kenkyû no Ichirei-Shôkai. (Gender to be Thought Out, Gender to be Acted Out: A Case Study of Gender Studies)
Isaka, M. (Invited speaker)
Jun 2017Activity: Talk types › Invited presentation
Fellowships, Honors, and Prizes
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Institute for Advanced Study Faculty Fellows, Spring 2007
Ngo, B. (Recipient), Unkefer, L. C. (Recipient), Githire, N. (Recipient), Estep, J. (Recipient), McGrath, J. (Recipient), Isaka, M. (Recipient), Henderson, G. L. (Recipient), McNamara, P. J. (Recipient) & Stryker, R. (Recipient), Jan 1 2007
Prize: Fellowship awarded competitively