Projects per year
Fingerprint
The Fingerprint is created by mining the titles and abstracts of the person's research outputs and projects/funding awards to create an index of weighted terms from discipline-specific thesauri.
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Projects
- 1 Finished
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Generous Widows: Judith and Female Patrons in the Sixteenth and Seventeenth Centuries
Harness, K. A., 2018, In: Academy of Sacred Drama Journal. p. 8-12Research output: Contribution to journal › Article
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Theatrical Reliquaries: Afterlives of Saint Mary Magdalene in Early Seventeenth-Century Florence
Harness, K. A., 2018, In: Biblical Reception. 5, p. 159–84Research output: Contribution to journal › Article › peer-review
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Review of Tim Carter and Richard A. Goldthwaite, Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence (Cambridge, Mass.: Harvard University Press, 2013)
Harness, K. A., Nov 2015, In: Economic History Review. 68, 4, p. 1463-64Research output: Contribution to journal › Article › peer-review
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‘Nata à maneggi & essercizii grandi’: Archduchess Maria Magdalena and Equestrian Entertainments in Florence, 1608–1625
Harness, K. A., 2015, «La liberazione di Ruggiero dall’isola d’Alcina»: Räume und Inszenierungen in Francesca Caccinis Ballettoper (Florenz, 1625). Fischer, C. (ed.). Zurich: Chronos verlag, p. 89–108Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Pageantry
Harness, K. A., 2014, The Routledge Companion to Music and Visual Culture. Shephard, T. & Leonard, A. (eds.). New York: Taylor and Francis, p. 313-320 8 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter