Karen Painter

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Fingerprint The Fingerprint is created by mining the titles and abstracts of the person's research outputs and projects/funding awards to create an index of weighted terms from discipline-specific thesauri.

aesthetics Social Sciences
Bourgeoisie Arts & Humanities
Third Reich Arts & Humanities
Ambition Arts & Humanities
Musical Aesthetics Arts & Humanities
Wolfgang Amadeus Mozart Arts & Humanities
Redemption Arts & Humanities
Aesthetics Arts & Humanities

Research Output 1992 2011

Mahler und das Publikum—zur frühen Rezeption der Symphonien 5-7: Interpretationen seiner Werke

Painter, K., Steinert-Lieschied, O. & Revers, P., 2011, Gustav Mahler: Interpretationen seiner Werke. Laaber, O. K. (ed.). Laaber Verlag, p. 119-137

Research output: Chapter in Book/Report/Conference proceedingChapter

Musical Aesthetics and National Socialism

Painter, K., 2009, Music and Dictatorship in Europe and Latin America. Illiano, R., Sala, M. & Musicae, S. (eds.). Turnhout: Brepols, p. 121-140

Research output: Chapter in Book/Report/Conference proceedingChapter

Review of Mary H. Wagner, Gustav Mahler and the New York Philharmonic Orchestra Tour America

Painter, K., 2008, In : American Music. 26, p. 539-542

Research output: Contribution to journalArticle