1982 …2011
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Fingerprint The Fingerprint is created by mining the titles and abstracts of the person's research outputs and projects/funding awards to create an index of weighted terms from discipline-specific thesauri.

Music Medicine & Life Sciences
Claude Debussy Arts & Humanities
Ideal Arts & Humanities
Prix De Rome Arts & Humanities
Onstage Arts & Humanities
Baritone Arts & Humanities
Tenor Arts & Humanities
Rome Arts & Humanities

Research Output 1982 2011

2 Citations (Scopus)

Debussy's Ideal Pelléas and the Limits of Authorial Intent

Grayson, D., May 1 2011, Rethinking Debussy. Oxford University Press

Research output: Chapter in Book/Report/Conference proceedingChapter

Ideal
Baritone
Tenor
Claude Debussy
Singers

Debussy‘s Ideal Pelléas and the Limits of Authorial Intent

Grayson, D. A., 2011, Rethinking Debussy. Antokoletz, E. & Wheeldon, M. (eds.). Oxford and New York: Oxford University Press, p. 96-122

Research output: Chapter in Book/Report/Conference proceedingChapter

Pelléas et Mélisande: ter

Grayson, D. A., 2010, Unknown Publisher.

Research output: Book/ReportBook

Finding a Stage for French Opera: 1875-1900: Paris, 1830-1914

Grayson, D. A., 2009, Stage Music and Cultural Transfer: Paris, 1830-1914. Fauser, A. & Everist, M. (eds.). Chicago, IL: University of Chicago Press, p. 127-154

Research output: Chapter in Book/Report/Conference proceedingChapter

Review of Julian Rushton, Mozart, The Master Musicians, ed. Stanley Sadie

Grayson, D. A., 2007, In : Music and Letters. 88, p. 345-347

Research output: Contribution to journalArticle