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Fingerprint The Fingerprint is created by mining the titles and abstracts of the person's research outputs and projects/funding awards to create an index of weighted terms from discipline-specific thesauri.

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Dancers Arts & Humanities
Choreographers Arts & Humanities
Premiere Arts & Humanities
Dance Arts & Humanities
Music Arts & Humanities
Solo Arts & Humanities
Ensemble Arts & Humanities
Dance Theatre Arts & Humanities

Projects 2009 2011

Dance
Artist
Performing Arts
Language
Presenters

Research Output 1992 2013

1 Citation (Scopus)

In search of the choreographies of daily life and struggle

Chatterjea, A., Jan 1 2013, Transnational Feminism and global Advocacy in South Asia. Taylor and Francis, p. 13-23 11 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

dance
entertainment
social justice
legislation
labor
11 Citations (Scopus)

On the value of mistranslations and contaminations: The category of contemporary choreography in Asian dance

Chatterjea, A., Dec 1 2012, In : Dance Research Journal. 45, 1, p. 7-21 15 p.

Research output: Contribution to journalReview article

Dance
Asia
Mistranslation
Choreography
Contamination

Run Away my Angel

Chatterjea, A., Jan 2012

Research output: Non-textual formPerformance

migration
1 Citation (Scopus)

Why i am committed to a contemporary South Asian aesthetic: Arguments about the value of ‘difference’ from the perspective of practice

Chatterjea, A., Jan 1 2012, Traversing Tradition: Celebrating Dance in India. Taylor and Francis, p. 83-103 21 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Aesthetics
Asia

Afterword: A Critical Perspective: A Biohistory of American Performance

Chatterjea, A., Dec 2011, Joan Myers Brown and the Audacious Hope of a Black Ballerina: A Biohistory of American Performance. Dixon Gottschild, B. (ed.). New York, NY: Palgrave McMillan

Research output: Chapter in Book/Report/Conference proceedingChapter